Catalogue > By Keyword > Tim Etchells
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Performing Site-Specific Theatre: Politics, Place, Practice
‘Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between ‘site’ and ‘performance’. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield
It’s Moving From I to It
A linguistic/fictional journey into questions of authorship, language and institutional rethoric.
A Senario In Which The Surrounding Fictions Are stranger Than The Facts
An attempt to shed new light on the space known as Brayford island
Spielart Festival Magazine
Published to coincide with festival in Munchen, 2013.
Performance Matters Archive
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
BBC Radio 4 Bob Dickinson: Forced Entertainment
Dickinson interviews Forced Entertainment – audio
The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance
an anthology of source materials for performance
Unsound Method II (after Conrad)
Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the second publication – Unsound Method II – the pages of Heart of Darkness are again redacted, this time in black, and leaving only words associated with darkness – night, gloom, shadow, black and so on – as visible traces on the page.
Unsound Method I (after Conrad)
Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the first publication – Unsound Method I – the pages are redacted in white and only words associated with light – day, bright, sun, morning and so on – remain visible, carving out a poem which was always present in the material of the original novel.
Programme Notes: Case studies for locating experimental theatre, second edition
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
Performance Research: On Animals
Curating Performing Arts
Frakcija no 55 explores the work of the curator.
