Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
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Part game, part improvisation, this unique 24-hour live experience pits alternating pairs of performers against one another as they test their opponents with an avalanche of questions.
Recording on a hard drive.
Recorded 12-13 April 2013 at the Barbican; part of SPILL.
In a safe box.
The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.
A limited edition set of thirteen beautifully designed cards, each by a different artist. The thirteen artists have come together to create a programme of imaginary events for the Battersea Arts Centre’s Grand Hall, destroyed in a major fire in march 2015, to help contribute to the rebuilding process and to celebrate the building itself.
This special edition newspaper and supplement was published to coincide with the Hayward Gallery’s exhibition of the same name, which explores how the digital and physical realms of the city interact and overlap. Includes an introductory essay by curator Stephanie Rosenthal and a collation of images and other artistic and textual interventions by writes Chloe Aridjis, Deborah Levy and Stewart Home.
A collection of postcards designed by Katayoon Forouhesh, each representing an imagined performance conveived by 14 Iranian and British independent artists. Part of ABOVE, a festival of imagined performances on rooftops, conceived and curated by Andy Field (Forest Fringe, UK) and Iranian artist-producer Nima Dehghani.
Collection of scores and texts markinf thirty years of Forced Entertainment. Contributors were invited to write about their experience of Forced Entertainment following one rule: each text must be exactly 365 words long.
Special issue on theatre and the public space. Bilingual edition in French and English.
The book is based on an ongoing, long-term, extensive photographic project spanning over a five-year period, which follows a group of women (artists) through their pregnancies into motherhood.