Festival catalogue.
The full screening programe from Playing With Space, a touring film programme curated by Lawrence Bradby that celebrates artists who have been making guerrilla interventions, granting themselves the right to make their own work public. The file include a PDF documents with information and text on the event.
Endurance was a three-day programme of screenings, performances and exhibition exploring the physical and mental limits of human experience (24 April – 26 June 2008 at VIVID, Birmingham). This forder includes flyers, programme and booklet with programme notes and texts by Tracey Warr, Kay Winwood, Deborah Kermode.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
*currently unavailable*
This publication explores the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience.
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
Exhibition and events shown at the 6th Liverpool Biennial. 18 September – 28 November 2010.
Looks at the ways in which artists use ideas of service and labour as creative strategies. Find in misc. articles folder 2
Brings together Carr’s writings to offer a detailed and insightful history of performance from the late 70s to today.
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)