Catalogue > By Keyword > reality
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Self Made
Debut film of Turner Prize winner Gillian Wearing. Supported by Fly Film Production, Third Films,Channel 4 Britdoc Foundation, the Arts Council of England and Abandon Normal Devices. see also: P1886 Gillian Wearing exhibition catalogue
Theatre Without Boundaries
Sacred Symposium: A Make Believe World
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
Marco Paulo Rolla
Two exhibition catalogues. In English and Spanish. For video documentation see REF. D1128
Make Me Stop Smoking (Part 2)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars.. Disc 2 of 4, see REF. D1109/D1112.
Make Me Stop Smoking (Part 1)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 1 of 4, see REF. D1109/D1112.
Make Me Stop Smoking (Part 3)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 3 of 4, see REF. D1109/D1112.
Make Me Stop Smoking (Part 4)
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 4 of 4, see REF. D1109/D1112. Part of NRLA 2008.
The Theatre of Protest and Paradox-Development in the Avant-Garde Drama
Analyses the dramatic works of modern German, American, English, French, and Spanish writers within their historical and cultural contexts.
Perform Every Day
Staging the Screen
After tracing the history of current approaches back to early practitioners such as Méliès, Painlévé and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. Charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work.
Writing and Rewriting the Holocaust
Study of how historical memory and understanding are created in Holocaust diaries, memoirs, fiction, poetry, drama video testimony and memorials.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
