Offers an initial exploration and step to critical understanding for anyone interested in studying Abramović’s work.

Intervention at the Museum of Contemporary Art, Sydney, about the lack of local live art in the curatorial vision of one of Australia’s foremost contemporary art institutions.

Part of the Library of Performing Rights (LPR) (P3041).

Considers what sustained attention to the affective force of trauma might yield for critical theory.

Collection of stills documenting the Greek artist’s work.

A Spanglish music drive-by that rifles on media as religion. 10 tracks.

Video, English spoken with German subtitles, recorded 2003 in New York City, published 2008, duration 52 minutes.Accompanying booklet REF. P1232. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.

In her interview with Andrea Saemann and Chris Regn, Joan Jonas gives glimpses into her way of thinking and the beginnings of her career as an artist. 53 minutes. Recorded 2003.

Includes a booklet with an article by Katrin Grögel (P1230).

Catalogue of The 13th Nippon International Performance Art Festival, Japanese and English.