Programme for the Afrikaans language festival that forges creative connections with English and Sotho cultures; 18-22 July 2017.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
What is it this time? Oh, is it unemployment? Is there a crisis? Did the government do something wrong again? No, it’s a show about Dolly Parton.
Interview with Meredith Monk.
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
The 2016’s season centres on the theme of Potentialities – the potential to develop in the future and transform society.
11 August – 17 September 2016.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
Slovenian collective's second album.
Part of the Library of Performing Rights (LPR) (P3041).
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).