On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.
The wuthors talk about repetition as an internal and integral structuring device in Rajni's trilogy of works, Mr Quiver (2004-6), Dinner with America (2006-8), and Glorious (2009-13), using the meandering form of walking and conversation to think through the circular, incremental and bodily processes within the performance work.
The video juxtaposes the various form of mediation from one historical event – the 1980 student massacre – according to linear time line. The public memory of the incident is formed and moulded with mediated images and languages.
1hour 27min
Zine of the research-based project, which uses objects left behind by those who are seeking a better life and/or have to move to survive. The objects were left behind on the Greek island of Lesvos and at a transition centre in Serbia and have been “borrowed” by people living in London, used to start conversations with young people, in installations and as part of performances.
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
Publication documenting de la Rosa's participation in the 'A world of your own workshop', led by Geraldine Pilgrim.