Catalogue > By Keyword > human rights

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Shirin Neshat: Two Installations

Editor: Bill Horrigan | Reference: P3959 | ISBN: 978-1881390268 | Type: Publication

Catalogue which accompanies  films exploring the social, political and psychological dimensions of women's experience in contemporary Islamic societies.

Part of Library of Performing Rights (P3041)
 

Frances Hegarty: Voice Over

Editor: Andrew Stones, Shirley MacWilliam | Reference: P3960 | Type: Publication

Exhibition catalogue. Installation concerned with the voice of the individual victim in war.

Part of Library of Performing Rights (P3041)

Performance, Ethics and Spectatorship in a Global Age

Artist/Author: Helena Grehan | Reference: P3968 | ISBN: 978-0230518018 | Type: Publication

Takes performance studies in exciting new directions, exploring the ways in which ethics can be used to understand the complex questions facing contemporary spectators.

Part of Library of Performing Rights (P3041)

Performing Citizenship: Bodies, Agencies, Limitations

Editor: Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer | Reference: P3909 | ISBN: 978-3-319-97501-6 | Type: Publication

Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.

Part of Library of Performing Rights (P3041)

The White Possessive: Property, Power, and Indigenous Sovereignty

Artist/Author: Aileen Moreton-Robinson | Reference: P3793 | ISBN: 978-0816692163 | Type: Publication

Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.

After the Party: A Manifesto for Queer of Color Life

Artist/Author: Joshua Chambers-Letson | Reference: P3772 | ISBN: 978-1-4798-3277-4 | Type: Publication

Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.

Part of the Library of Performing Rights (P3041).

Unlimited Action: The performance of extremity in the 1970s

Artist/Author: Dominic Johnson | Reference: P3717 | ISBN: 978-1-5261-3551-3 | Type: Publication

It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.

Part of the Library of Performing Rights (P3041)

Performing Labour’s (Non)Futures Universal basic income and the monetary imagination

Artist/Author: Christian Riley Nagler | Reference: A0843 | Type: Article

The universal basic income idea is, overall, profoundly performative, in that it attempts to model the ultimate pragmatism of wider social nets of generosity, and does so by representing the embodied conditions that might be brought into being by such generosity. In this way, the utopian heuristic of an unconditional, guaranteed income is said to be an ‘instrument of freedom’ and a ‘device for economic sanity’. The question is though, as is often the case: freedom and sanity for whom?

Part of the Library of Performing Rights (P3041).