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Accion MAD 10
Documentation of the performances and presentations at Accion / Action MAD 10 festival in Spain. Participants: Joan Casellas (Barcelona), Catie de Balmann (Francia), Guiuseppe Dominguez (Madrid), Marco Teubner (Alemania), Ana Matey (Madrid), Edu Hurtado (Bilbao), Revista Efímera (Madrid), Ornic’Art (Francia), Christopher Hewitt (Reino Unido), El Gato con Moscas (Madrid), Fiacha O’Donnell (Madrid), Federico Guardabrazo (Madrid), Beatriz Hoyos y Sara Laguna (Madrid), Darío Buñuel Fanconi (Madrid), Borja Gómez (Madrid), Zhou Bin (China), Rubén Barroso (Sevilla), Elvira Santamaría (México), Anti Festival (Kuopio, Finlandia), Gaetan Rusquet (Bélgica), Sandra Johnston (Irlanda del Norte), María Cosmes (Barcelona), Sierra Centro Arte (Huelva), Adina Bar On (Israel), Gwendoline Robin (Belgica), Domix Garrido (España), 10×10+1 Acción, Bartolomé Ferrando, Fabien Montmartin (Francia), Rosa Mesa (Canarias), Ana Oliva Higueras (Castellón), Isidoro Valcarcel Medina (Madrid), Llorens Barber (Valencia), Antti Laitinen (Finlandia), Rosa Galindo (Canarias), Concha Jerez y José Iges (Madrid)
Accion MAD 09
Documentation of the performances and presentations at Accion / Action MAD 09 festival in Spain. Participants: Eva Pérez (Valencia), Ryszard Piegza (Polonia), Antonio Gómez (España), nna Kalwajtys (Polonia), Isabel León (Cáceres), Angela García (Valencia), Guy Sioui Durand (Canadá), Carlos Felices (Madrid), J.M. Calleja (Mataró), Catie de Balmann (Francia) María Marticorena (A Coruña) John G. Boheme (Canadá), Esther Ferrer (España), Monika GUnther y Ruedi Schill (Suiza) AC La Muga Caula (Girona) Kai Lam (Singapur), Fernando Baena (Madrid) Kurt Johannessen (Noruega), Nezaket Ekici (Alemania) Denys Blacer (Reino Unido)
Accion MAD 08
Documentation of the performances and presentations at Accion / Action MAD 08 festival in Spain. Participants: jacques van Poppel (Paises Bajos), Iris Nava (Mexico/Madrid), Helge Meyer (Alemania), Veltet & Crochet (Madrid), Eugenie Kuffler (Francia/USA), Carlos Llavata (Valencia), Nieves Correa (Madrid), Ben Patterson (Alemania/USA), Denys Blacker (Reino Unido/España), Pere Noguera (Girona), Angie Dight (Escocia), Pancho López (México), Mary Brennan (Escocia), Joan Casellas (Barcelona), Paco Nogales (Madrid), Analía Beltrán (Madrid), Belén Cueto (Madrid), Nikki Milican (Escocia)
Unlimited Global Alchemy
Limited edition catalogue, edited by Andrew Mitchelson and designed by David Caines, carries images of artworks, a DVD and texts.
Performance Art : From Futurism to the Present (Third Edition)
Maps the history of performance and live art up until 2011.
Curating and the Educational Turn
Writings around the incorporation of pedagogy into art and curatorial practice.
But is it Art ? The Spirit of Art Activism
An anthology that explores the rise of activist public art that agitates for social change.
Seeing Differently: A history of identification and the visual arts
A history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture.
Glorious Catastrophe : Jack Smith, performance and visual culture
Detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989.
Performing Remains
Explores the role of the fake, the false and the faux in contemporary performance and investigates the aesthetic and political potential of re-enactments.
Performing Remains is a dazzling new study exploring the role of the fake, the false and the faux in contemporary performance. Rebecca Schneider argues passionately that performance can be engaged as what remains, rather than what disappears.
Across seven essays, Schneider presents a forensic and unique examination of both contemporary and historical performance, drawing on a variety of elucidating sources including the “America” plays of Linda Mussmann and Suzan-Lori Parks, performances of Marina Abramović and Allison Smith, and the continued popular appeal of Civil War reenactments. Performing Remains questions the importance of representation throughout history and today, while boldly reassessing the ritual value of failure to recapture the past and recreate the “original”.
The Cultural Resistance Reader
Brings together classic texts that help to define culture as a tool of resistance.
Beautiful Trouble
Part manifesto and part reference guide: brings together ten grassroots groups and dozens of artists and activists from around the world.
