Includes full length documentation of the performance the moment I saw you I knew I could love you; the film Sea Swallow’d by Curious and Andrew K̦tting; interviews on ‘Autobiology’ workshops – in which Curious worked with 56 artists across the UK using ‘gut feelings’ to generate text, performance, video and installation work and a special bonus track on the creative process in making the performance and film.
Performance Matters: Performing Idea Dialogue ProjectIn Silence – a conversation with Graeme MillerTim Etchells and Graeme MillerEtchells’ research project In Silence convenes a series of encounters with experts and professionals whose daily work and life practice leads them to an interest and investment in silence. Silence – death to the comedian, transcendence to the priest, a right in the eyes of the law – is after all not the negative space of speech but rather a complex piece of social communication, which functions in contexts as a statement, as transitional state (instrumental route to something) and indeed as a goal or objective all of its own. In a linked set of videotaped interviews Etchells will explore the diversity and complexity of silence as it is constructed and read, investigating both its utility and its blankness, as it is deployed and broken in different situations. Tim Etchells has begun his weblog for In Silence.
Essays and creative texts accompany the photographic and textual documentation.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433), the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
A lively round-table discussion on the nature of participation in Live Art. Part of Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
Artsadmin documentation.
Offers insight into the different kinds of processes that practitioners in the performing arts undertake in their creative work and considers the implications these processes have in the wider world.
Artists imagine different ways of seeing the places and spaces around us.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Part of the Library of Performing Rights (LPR) (P3041).
Artsadmin archives.
Artsadmin archives.