Catalogue > By Keyword > funding
105 results | Page 4 of 9
Community Theatre: Global Perspectives
Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on the author’s own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.
Part of the Library of Performing Rights (LPR).
Visual Cultures as Seriousness
What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?
Confronting the Institution in Performance: Liberate Tate’s Hidden Figures
Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.
The Art Of Disobedience
An article dissecting how arts interfere and engage with politics.
In misc folder 7.
A Good Night Out: Popular Theatre; Audience, Class and Form
The classic manifesto on popular theatre by the founder of the 7:84 Theatre Companies. Looking at the ways different classes take their entertainment, he puts the case for what theatre could be doing for the populace instead of walling itself up in subsidised fortresses for the well-to-do.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
Ageing Artfully: Older People and Professional Participatory Arts in the UK
The report looks at the history of the movement and puts it in a policy context; 120 case studies of organisations were identified and numerous examples of all art forms; especially dance, drama, music, singing and the visual arts.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
What’s Changed?
A publication detailing the projects delivered through Unlimited; includes a collection of 16 postcards.
Theatre and the Digital
Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the theatre in turn is challenging how we might relate to the digital.
The Art of Being Many: Towards a New Theory and Practice of Gathering
This volume is inspired and informed by the square-squattings and neighborhood assemblies of the “real democracy” movements as well as by recent explorations of the assembly form in performance art and participatory theater.
ALAG: A Live Art Gala documentation
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
Devising in Process
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
