Catalogue > By Keyword > funding

104 results | Page 3 of 11

Money Matters

Artist/Author: Jeanette Siddall | Reference: A0810 | Type: Article

Argues for stronger lobbying fo dance in the UK.

National Dance Agencies

Artist/Author: Sarah Rubidge | Reference: A0804 | Type: Article

On NDAs, established in early 90's.

South Asian Dancers Dancing

Artist/Author: Susanne Burns | Reference: A0800 | Type: Article

Explores the development of South Asian dance and the changing priorities it has been given by funding agencies.

Let’s All get off the fence and help each other

Artist/Author: Bob Lockyer | Reference: A0793 | Type: Article

NODM Forum article – on New Year’s resolutions.

Editorial: Why London is Being Deprived of Dance

Artist/Author: Chris de Marigny | Reference: A0785 | Type: Article

On shrinking contexts for dance in London.

On stage and Page

Artist/Author: Stephanie Jordan | Reference: A0780 | Type: Article

Discusses problems of being both a dance critic and a performer.

Funding Dance - Two Perspectives

Artist/Author: Anthony Peppiatt and Graeme Kay | Reference: A0779 | Type: Article

Two articles discussing funding patterns in early 80’s

Complicating Authorship : Contemporary artists’ names

Artist/Author: Nicola McCartney | Editor: Konstantina Georgelou & Janez Janša | Reference: A0774 | Type: Article

Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.

Live Art

Editor: David Butler,‎ Robert Ayers | Reference: P3511 | ISBN: 978-0907730132 | Type: Publication

Artist's Newsletter handbook on all professional aspects of performance art.

Points East conference papers

Editor: Christopher Carrell, Jekaterina Young, Domnic d'Angelo, Diana Mutimer | Reference: P3471 | Type: Publication

Papers from the conference, held in Glasgow in December 1990. The conference addressed the implications for the arts of the political and economic changes in Eastern Europe.