Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
What is it that makes humans, human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever.
A young girl is abducted and smuggled aboard a boat bound upstream on an Indonesian river, through a landscape scarred by ecological destruction and historical greed. As her captors take her ever deeper into the jungle, her uncertain fate is compounded by the sense of her environment as a place of violence, destruction and jeopardy.
Part of the Library of Performing Rights (P3041)
Contemplates the interactions of humans with many kinds of critters, especially with those called domestic.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
Since 2007, Antennae: The Journal of Nature in Visual Culture has been the international reference point of the non-human turn in the visual arts. This volume gathers the richest interviews and the most thought-provoking essays featured over its forty installments thus far published.
Explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).