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ART IN CONTEXT: Learning from the Field
21 passionate statements from practitioners in the field of participatory art from Myanmar, Japan, Germany, Malaysia, Thailand, Indonesia, the Philippines, Singapore, Hong Kong and China. Their contributions help to define a complex practice, that takes many forms and is called by many names, but is united by a spirit of giving, receiving and reciprocating in art-making.
PRAXIS Vol 1: Of People, Place & Time
Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
A Good Night Out: Popular Theatre; Audience, Class and Form
The classic manifesto on popular theatre by the founder of the 7:84 Theatre Companies. Looking at the ways different classes take their entertainment, he puts the case for what theatre could be doing for the populace instead of walling itself up in subsidised fortresses for the well-to-do.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
Performance in Place of War
The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Disability, Public Space Performance and Spectatorship: Unconscious Performers
This book investigates the daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama.
Access All Areas: Guidelines for marketing the arts to people with disabilities
This publication was prepared by Accessible Arts and Arts Access for the Australia Council and contains some information from the Arts Council of England's Guidelines for Marketing to Disabled Audiences.
Creative Interactions
Dramaturg and curator Norman Frisch discusses qualities that distinguish theater from other “time-based art,” highlighting connections to mystery and classicism.
Programme Notes: Case studies for locating experimental theatre, second edition
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
The Pina Bausch, Sourcebook: The making of Tanztheater
A compendium of source material and contextual essays that examine Pina Bausch’s history and the development of Tanztheater as a new form.
Participating in the Wrong Way?
Practice Based Research into Cultural Democracy and the Commissioning of Art to Effect Social Change.
Plataforma Carioca De Artes Cenicas / The Carioca Performing Arts Platform
Festival documentation. Text in Portuguese and English
Trashing Performance, Mainstream and Underground, Introduction and Keynote
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
