Includes Rick Moody’s extensive interview with Odyssey Works team members as well as six practical proposals that present a radically new unified theory of art making addressing immersivity and interactivity, experience design, the Heisenberg Uncertainty Principle as it relates to documenting artwork, and intimacy and empathy with the audience.
Documentation from the fourth edition of the performance art festival, held in Herdla, Norway. The artists gathered for a week having the opportunity to work within the environment of the site, before presenting their work on 30th August 2014.
In Norwegian and English.
This fully illustrated publication documents Ross’s works from 1970 to 2013, including early feminist collaborative works, drawings made at the Greenham Common Women’s Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversary—an act of memory (2008–13), solo, collective, and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Ross’s death.
List of works from the exhibition at CHELSEA space (16/11-16/12 2016).
Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.
Rare visual records of interventions, performance pieces and happenings from the period before 1989.
3h 14min
See also: Czech Action Art – Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain (P2959).
Part of the Library of Performing Rights (LPR) (P3041).
Publication on the project which saw the artist working with the residents of Iwade from July 2015 to explore the village’s changing identity in the flux of the new build development. The project included workshops, residencies and live events hosted by artists, musicians and archeologists.
Between 17/09 and 4/10 2009, the artist invited a musician, an unemployed person, a squatter, a protester, an activist, an artist, a racist and an anti-racist, and others, to spend a day in the Künstlerhaus Bethanien. This book was published in conjunction with the exhibition and documents each individual’s daylong occupation of the gallery space.
Artists’ events, projects and publications curated, commissioned and produced from December 1979 to the present day. Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
A report on artistis-in-resdiency, art projects, educational events, creative village, inernational cooperation; includes end of year results.