Catalogue > By Keyword > architecture
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Refugee Camp for the First World Citizens
A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.
Part of the Library of Performing Rights (LPR) (P3041).
Creative Prison
A film showing the imagined interior of a prison, sculptures by prisoners on themes of rehabilitation.
Part of the Library of Performing Rights (LPR) (P3041).
Beginner’s Guide to Community-Based Arts
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
Os it My Body? - Selected Texts
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
Pentagon Petal programme
Programme for the installation project by artist Fran Cottell and architect Marianne Mueller, reflecting on the Rootstein Hopkins Parade Ground as the dream site for Jeremy Bentham's experimental panopticon, the real Millbank Penitentiary, a military parade ground and now university campus, outdoor gallery and thoroughfare to Tate Britain.
Entr’acte: Performing Publics, Pervasive Media, and Architecture
Generally taking place in front of closed curtains during set changes between acts, the entr’acte delivers a fleeting new purpose and event to the otherwise sometimes inert space between stage and pit. This collection employs the entr’acte as a model for conceptualizing emerging formations of publics and of public space.
Critical Landscapes: Art, Space, Politics
One of the first comprehensive treatments of land use in contemporary art, the collection surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Personal Shopper: A Kirkgate Market Mis-Giude
Artists Katie Etheridge & Simon Persighetti team up with shoppers, traders and market enthusiasts to create a pick and mix selection of ways to navigate and explore the market as trading place, social space and playing space. The Mis-Guide was originally produced for Compass Festival.
In Place of a Show
An account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished.
Building an Island
Acconci’s Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book documents the different stages of the design, and places sketches and computer simulations next to remarkable photographs of models as well as shots of the finished island. An interview with Vito Acconci and a presentation of the diverse work by the Acconci Studio round off the book. In German and English.
Public art: a reader
In this new English edition of the handbook over sixty curators, art historians, and artists take a critical look at the theme of the significance and potential of public art.
Guy Debord and the Situationist International: Texts and Documents
A revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English.
