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New Territories 10: International Festival of Live Art, Scotland
*currently unavailable*
Festival documentation. 2nd-21st March 2010
3 Labels: Issue 2
Notes, essays and interviews are arranged under three headings, ‘Under Consideration’, ‘Artists in their Own Words’, and ‘Notes from the Studio’.
Extracts from 8 Projects
Documentation Bank: Anne Bean
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Talking Heads: Anne Bean
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Notes on a Return
Bow Gamelan Collection Disk 3
Paul Burwell solo on The Late Show. In the locked glass cabinet.
TAPS: Improvisations with Paul Burwell
Over the course of three days TAPS combined film, installation and performance, portraying layers of interpretation from more than 80 invited collaborators, in response to Burwell’s poem ‘Adventures in the House of Memory’.
See Also: P1531
Performance Matters: Performing Idea
Audio CD of Symposium and performances for Performing Idea.Track List:
TAPS: Improvisations with Paul Burwell
Box archive of Anne Bean’s Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard Wilson.
Performing Idea: Living Archives
Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever', contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art's multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist's experiences and body as a kind of living archive.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Paves
A year long collaboration between the artists supported by British Council’s Creative Collaboration programme and Arts Council England, March 09 – March 10.
