Format AVI/PALWith Castilian subtitles.
| Artist / Author | Joshua Sofaer |
|---|---|
| Reference | D1912 |
| Date | 2002 |
| Type | DVD |
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg42-50
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.
10 is the latest and last publication from The Institute for the Art and Practice of Dissent at Home (2008 – 2018) and looks at 10 persisting problems of the past 10 years, featuring an array of critical and inspiring voices The Institute has worked with over the last decade.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.
A discussion in 17 thematic segments. 53 minutes.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.