Fresh Tips 6

Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology-fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.

Documentation from an online live reading of peer to peer survivor writing organised by the artist Jet Moon in April 2021. This reading features commissioned contributions read by Jet, Dolly Sen, Elinor Rowlands, Ayotomi IF, Andie Macario, and readings by attendees of  two peer to peer survivor writing workshops organised by Jet in March 2021.

Audio documentation of an evening considering durational performance art with Marilyn Arsem on Friday 18th April, 2025 at The Garrett Centre.

For this special event, Marilyn presented an artist talk reflecting on her body of work and sharing her research on performance art and time. Following the talk, there was a Q&A chaired by curator Joseph Morgan Schofield.

This event was part of CEREMONY: A Festival of Performance, presented by Future Ritual, in April, 2025.

This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.

‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers

This Zine was produced as an accompaniment to Playing With Fire- live reading from survivor writers- an online event on April 24th 2021 hosted by Live Art Development Agency.

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.

Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.

Artists book accompanying the exhibition Tongue-tied at Matt’s Gallery, 2-24 November 2019.

A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.

Includes feature film, trailer, poster, stills from the movie, and film description.

The second volume of the landmark trilogy consent not to be a single being.