This Zine was produced as an accompaniment to Playing With Fire- live reading from survivor writers- an online event on April 24th 2021 hosted by Live Art Development Agency.
Editor | Jet Moon |
---|---|
Reference | P4179 |
Date | 2021 |
Type | Publication |
A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health
Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg42-50
This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.
Featuring conversations, essays, drawings and photographs, Bodies of Knowledge(Ed. Laura Purseglove) reflects and builds on an interdisciplinary project involving artists, amateur and professional dancers, wrestlers, members of a trans community group and academic researchers interrogating how our bodies are both produced by and productive of knowledges.
In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.
This Zine was put together following on material heard at the Sex Work, Disability & Trauma interview.
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
Tender Order by Jade Montserrat, made with Jane Lawson and edited by Industria, centres ‘matters-of-care’, detailing aspects of self-care and the impacts to self-care made by environmental or socio-political frameworks.
“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”
The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.
Edition 60/70
With 49 contributors of artworks and words, this magazine is a real snapshot of Neurodivergent and survivor women’s voices and visions today.
Contributions are organised into nine chapters: Esoteric Sensory Bodies, Persist, Tangled and Complex, The Specially Initiated Alone, Obscuring those Beneath, Into the Woods, Unearthered/ Returning to the Hills, Precarious Arbitarity / Radically Nuanced, and All that glistens.
Artists book accompanying the exhibition Tongue-tied at Matt’s Gallery, 2-24 November 2019.
The second volume of the landmark trilogy consent not to be a single being.