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| Editor | Barbara Clausen |
|---|---|
| Publisher | Museum Moderner Kunst Stiftung Ludwig Wien |
| ISBN | 978-3-902490-28-5 |
| Reference | P0956 |
| Date | 2005 |
| Type | Publication |
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
This article gives examples of a number of initiatives by individual writers, artist collectives, and festivals that test forms of critical writing that are as experimental as the practices to which they relate.
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Using interviews with friends and colleagues, and original and re-enacted footage of Sherman's performances, this film explores the life, death, disappearance and rediscovery of this unique artist.
Part of LADA Screens 5.
The collection explores repetition in relation to intimacy, laughter, technology, familiarity, and fear proposing a new vocabulary for understanding what is at stake in works that repeat.
The volume is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists–painters, poets, musicians, dancers, actors, video-/filmmakers–in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance.
A limited edition publication exploring a series of innovative live performances and events.
Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography's mutual preoccupation with posing, staging, framing, and stillness.
Learn to think, see and live like an artist with this inspirational and practical guide on how to live a creative life written by the world’s most thought-provoking artists.
Feminist art, writing and performance articles, reviews and interviews on and by Claire MacDonald. In the oversized section. Contents in the attached document. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
A diverse group of contributors, from art historians, anthropologists, and political theorists to artists, filmmakers, and architects, considers the interaction of politics and the visual in such topics as the political consequences of a photograph taken by an Israeli soldier in a Palestinian house in Ramallah; AIDS activism; images of social suffering in Iran; the “forensic architecture” of claims to truth; and the “Make Poverty History” campaign. Transcending disciplines, they trace a broader image complex whereby politics is brought to visibility through the mediation of specific cultural forms that mix the legal and the visual, the hermeneutic and the technical, the political and the aesthetic.