What can we do when arms manufacturers sponsor museums and some of the world’s most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the works themselves? Can we distinguish between creativity and the digital white noise that bombards our everyday lives?
Publication accompanying the eponymous film.
On curating psychedelic experience.
Exhibition catalogue. Locations and dates: Project Space Plus, Lincoln, UK (1 – 27 February 2018), Peltz Gallery, London, UK (10 May – 11 June 2018), Centre de Cultura Contemporània de Barcelona (CCCB), Spain
(4 – 28 October 2018), LABS Gallery Arte Contemporanea, Bologna, Italy (22 November – 15 December 2018)
Produced to coincide with New Contemporaries' 65th anniversary, this compilation reveals the rich history of artists' moving image in New Contemporaries between 1968 and 2010.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Discusses interrelations between painting and video art. Argues that once the surface of the painting is thought of in relation to the membrane of the eye as if the painting’s surface were part of the eye itself, the painting’s surface would have to be thought of as a membrane of visible excitation that is hard to separate from vision.
Short video artist profile. Includes clips from different video and performance pieces.
Abjection builds awareness of post-porn power, which breaks away from the outdated distinction between eroticism and pornography.
A film about the future by Eva Meyer-Keller, Hanna Sybille Müller and the children who took part in the performance project Building after Catastrophes.