From LADA's DIY 11, which saw a group of artists set sail on a two-day yacht journey immersed in the elements, to look back at the Welsh landscape from a different perspective.
Published to mark the acquisition of UNWORD for Leeds Museums & Galleries Collection and its display in “Important Mischief: British Sculpture from the 1960s and ’70s” in Leeds City Art Gallery, March – November 2006. Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Found in miscellaneous article folder #5B
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
An overview of five decades of the artist’s oeuvre. The publication coincides with his eponymously titled survey exhibition, which opened at Perth Institute of Contemporary Arts in August 2015 and before touring throughout Australia.
A selection of key works from the first decade of artist's video practice in the UK. From early conceptual experiments exploring the parameters of the medium to works dealing with media culture and television this collection explores the range and diversity of the first years of video as new media.
DISC 1 Stories, John Adams (1982, 13 min) Eyebath Peter Anderson (1977, 8 min) In Two Minds (2 screen version) Kevin Atherton (1978, 25 min) Lenny's Documentary Ian Bourn (1978, 45 min) In the Home Ian Breakwell (1980, 10 min)
DISC 2 Pieces I Never Did (3 screen version), David Critchley (1979, 31 min) Circling, Peter Donebauer (1975, 12 min) Kensington Gore, Catherine Elwes (1981, 15 min) Time Spent, Judith Goddard (1981, 12 min) TV Interruptions (7 TV Pieces), David Hall (1971, 23 min) State of Division, Mick Hartney (1978, 5 min) The Extent of Three Bells, Steve Hawley (1981, 5 min) Flow, Brian Hoey/Wendy Brown (1977, 17 min)
DISC 3 Split Seconds, Madelon Hooykaas/ Elsa Stansfield (1979, 11 min) Clapping Songs, Tina Keane (1979, 6 min) Vanitas, Tamara Krikorian (1977, 8 min) The Heart Cycle, Mike Leggett (1973, 9 min) Mirror, Stephen Littman (1979, 5 min) Go thru the Motions, Stuart Marshall (1975, 8 min) Continuum, Chris Meigh Andrews/Gabrielle Bown (1977 5 min) 2nd and 3rd Identity, Marcelline Mori (1978, 10 min) Monitor, Stephen Partridge (1975, 6 min) Video Sketches, Clive Richardson (1972, 22 min) Drift Guitars, Tony Sinden (1975 21 min)
Introductory note to the exhibition held at Museo Nacional de Arte Reina Sofia, 25 October 2012 – 11 March 2013.
This Article can be found in miscellenous folder 5B.
Published in conjunction with a major retrospective of the artist's work at the New Museum of Contemporary Art, New York, January – April 1999. Includes excerpts from Wojnarowicz's writings and essays by Dan Cameron, Mysoon Rizk, C. Carr and John Carlin.
This first historical and critical analysis of the artist's work by prominent scholars and the artist herself brings nearly forty years of creative output into focus by tracking the development of her constant themes through each medium. The essays range from formal to theoretical to psychological to poetical analyses. Includes a DVD.
A collection of essays by and about the videomaker and critic Catherine Elwes.
The Way Things Go (Der Lauf der Dinge) is a thirty-minute film by Swiss artists Peter Fischli and David Weiss featuring a series of chain reactions involving ordinary objects. It is also one of the truly amazing works of art produced in the late twentieth century. Millar tells us why this extraordinary film speaks to us at the beginning of the twenty-first century.
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
The first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years.
Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.
Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.
Written part of a doctoral dissertation, presenting the artistic works (performances, live-art projects and works on video ) and setting them in a larger context. The research presents the transformation that has taken place starting from the industrialism and modernism.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
SD Video 31’ 15 video, colour, sound
Exploring performance and politics in the post-revolutionary state, Dangerous Moves presents a fascinating survey of contemporary life and culture in Cuba through some of its most daring and experimental artists.
This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.
Digital documentation. Mexican performance artist Felipe Osornio aka Lechedevirgen Trimegisto screening programme of artists working in the contemporary Latin-American scene in relation to Postporno, gender and sexuality, presented on Wednesday 8 April 2015, in the LADA Study Room.
MANUAL is a collaborative publication by performance artist Victoria Gray and writer-artist Emma Cocker. The publication is a response to Berthing Bone, a video work by Victoria Gray. MANUAL complrises photographic stills from the video Berthing Bone, alongside writing by Gray and Cocker.
This volume presents Israeli installation artist Sigalit Landau's project- “The Dining Hall” – a political take on ritualized eating as cultural metaphor, exhibited at Berlin's KW Institute in early 2008.
Exhibiiotn catalogue documenting selected works by the African-American sculptor, environmental artist, and performance artist influenced by and with affinities to Eva Hesse.
This double-sided catalogue accompanied the solo exhibition of the same title first held at Dolhousie Art Gallery, Halifax, Canada in 2009.
Book published to accompany the 2004 exhibition of the same name
Artists included: Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino de Dominicis, Ger van Elk, Barry Flanagan, Hamish Fulton, Gilbert and George, Michael Heizer, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Ruckriem, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Keith Sonnier, Franz Erhard, Walther, Lawrence Weiner, Gilberto Zorio
A comprehensive selection of Vito Acconci's works, including a DVD of three 20 min videos in which he speaks about his realized and unrealized projects.
Catalogue from the 'Outbound: Passages from the 90s' exhibition at Contemporary Arts Museum, Houston, March 4 – May 7 2000, exploring contemporary art at the turn of the millennium
Extensive documentation of two video installation pieces by Paul McCarthy, Piccadilly Circus and Bunker Basement, with essays by Ralph Rogoff and Robert Storr
This monograph includes both extensive visual documentation from throughout Vito Acconci's career and a wide selection of his writings.
Vito Acconci in conversation at Acconci Studio, New York with the Halpern-Rogath Curatorial Seminar at the University of Pennsylvania
This catalogue documents Joan Jonas´work with an interview, numerous performance and film stills, installation drawings and photographs
Letters to and from Carolee Schneemann 1956-1999
Collection of essays
Collection of texts and essays about the life and work of David Wojnarowicz
Text in German and English. The Inner Voice features works by Asta Groting, with texts by Tim Etchells, Deborah Levy and Stella Rollig
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Critical Art Ensemble is a collective of tactical media practitioners of various specializations, including computer graphics and web design, film/video, photography, text art, book art, wetware, and performance.
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs. Includes DVD
In a context of collapsing certainties about Europe’s economic and political system, the resurgence of actions towards collective responsibility-making, the timing of this book is perfect. Czarnecki springs open trapdoors back into childhood imagination and causes us to look again at how we address issues of human responsibility to each other and to the world which we hold in common. This is art that responds to the often white-coated ‘cleanliness’ of scientific research.
The Unlimited festival at the Southbank Centre was the largest ever festival in the UK celebrating disabled and Deaf artists, breaking new ground both for the venue and the artists.
How do artists and curators imagine the audience in their work? How do they weave a picture of the individual viewer’s mental, physical, and emotional experience into the production of art events and what impact do these conceptions have on the finished artworks or exhibitions? Which new perspectives are useful in explaining the changes that have occurred in the art field and the concomitant new viewing positions? These are some of the questions that are the basis for Imagining the Audience.
Text in Swedish and English.
Catalogue published on the occasion of the exhibitions: High Temperature. Art and Climate, and Weather Report. Art and Climate Change, 2012-2013.
Exhibition catalogue. Since the early 1980s, Chinese society has been reconstructed at a furious pace. The works presented here are concerned with the artists’ surrounding society and environment, as well as the question of how to establish a connection with the world ‘here and now’. Besides articles studying the various issues concerning the development of contemporary Chinese art, this publication also provides an introduction to each of the participating artists. In Chinese and English.
Four performance artists meet to consider the use of video in their work and their relationship to the medium. Can be found in Miscellaneous folder number 3