Using interviews with friends and colleagues, and original and re-enacted footage of Sherman’s performances, this film explores the life, death, disappearance and rediscovery of this unique artist.
Part of LADA Screens 5.
Published on the occasion of the exhibition at the Hammer Museum, LA. 15 September – 31 December 2017.
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
Festival publication. April-May 2013, New York City.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
25 images + artists statement
Images from Portal of Entry, a theatrical deconstruction of the Valley's sex industry told through the voices of prostituted women and their interviewer. Part of the thesis project Incarcerated Freedom.
Part of the Library of Performing Rights (LPR) (P3041).
Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.”
11 battered women prisoners serving life for killing in self defense narrate a collective, painful story of injustice.
15 minutes.Part of the Library of Performing Rights (LPR) (P3041).
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).