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new territories programme

Reference: P3056 | Type: Publication

Programme for the international festival of live arts, incorporating the National Review of Live Art (NRLA); 3/2-15/3 2003. Includes Adrian Heathfield on Goat Island, Lois Keidan on live art platforms and Marianne van Kerkhoven on Raimund Hoghe.

Collected Works for Performance

Artist/Author: Hannah Nicklin | Reference: P2986 | ISBN: 978-1783197361 | Type: Publication

Inckudes: A Conversation With My Father, Songs for Breaking Britain, Equations for a Moving Body.

Art and the Law: Counter Terrorism

Editor: Index on Censorship and Vivarta | Reference: A0671 | Type: Article

Part of a series of law packs intended to address questions about legal limits related to free expression and the arts.

Forward by Xenofon Kavvadias.

Art and the Law: Public Order

Editor: Index on Censorship and Vivarta | Reference: A0670 | Type: Publication

Part of a series of law packs intended to address questions about legal limits related to free expression and the arts.

Forward by Gurpreet Kaur Bhatti.

Art and the Law: Obscene Publications

Editor: Index on Censorship and Vivarta | Reference: A0669 | Type: Article

Part of a series of law packs intended to address questions about legal limits related to free expression and the arts.

Forward by Dominic Johnson.

Provinciality and the art world: the Midland Group 1961–1977

Artist/Author: Hannah Neate | Reference: A0649 | Type: Article

This paper focuses on the Midland Group Gallery in order to make a case for the consideration of the geographies of art galleries, highlight the importance of galleries in the context of cultural geographies of the sixties, and discuss the role of provinciality in the operation of art worlds.

In misc folder 5A.

Rasheed Araeen, Live Art, and Radical Politics in Britain

Artist/Author: Courtney J. Martin | Reference: A0650

An analysis of Araeen's performance Paki Bastard (Portrait of the Artist as a Black Person) and journal Black Phoenix.

Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)