Catalogue > By Keyword > music
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The KLF: Chaos, Magic and the Band who Burned a Million Pounds
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
The Secret Life of the Nextdoor Neighbour
Slovenian collective's second album.
Part of the Library of Performing Rights (LPR) (P3041).
The Gluts: Complete Works
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
Collaborative Theatre: The Theatre du Soleil Sourcebook
The first in-depth sourcebook in English on the compant, providing first-hand accounts of the development of its collectivist practices and ideals.
Part of the Library of Performing Rights (LPR) (P3041).
Drunken Boat: Art Rebellion Anarchy
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
Documenting Performance
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Girls Make Noise or Girls Make a Difference?
An Investigation into the political efficacy of Pussy Riot’s art.
Presto
An extract, chapter five, from The Music: a record that next record consists of the description of the record rather than music. Published to coincide with a dinner hosted by Herbert and Rosie Sykes at the Whitstable Biennale.
Os it My Body? - Selected Texts
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
Choreographies: Tracing the Materials of an Ephemeral Art Form
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
