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Lateral Thinking: Art of the 1990s

Editor: Patricia Draher Kiyono | Reference: P2457 | ISBN: 0934418616 | Type: Publication

Catalogue comprising of the work of more than 65 artists, featuring a variety of media, from the exhibition at the Museum of Contemporary Art San Diego

1990s 20th century Adam Rolston Alex Bag Anish Kapoor Ann Hamilton Armando Rascón Beattie & Davidson Bill Viola bodies body Byron Kim catalogue Charles Long Cindy Sherman curation Damien Hirst David Cerny David Hammons David Ireland David Mach David Reed Donald Lipski Doris Salcedo Edgar Arceneaux Edward Ruscha Einar De La Torre Fabrizio Plessi Francis Alys Fred Tomaselli Gabriel Orozco gallery Gary Simons Gillian Wearing Hans Haacke Hugh M. Davies identity Iñigo Manglano-Ovalle installation Jacci Den Hartog James Drake James Luna Jamex de la Torre Jimmie Durham John Baldessari John Currin Jose Bedia Josiah Mcelheny Keith Coventry Kelly McKinley Kenneth Price Kiki Smith Kim Dingle Lia Menna Barreto Lisa Yuskavage Llyn Folkes Loren Madsen LosCarpinteros Lyle Ashton Harris Marcos Ramírez ERRE Maria Fernanda Cardoso Mark Dion Martin Kersels Mat Collishaw Matthew Barney Matthew Cusick Maurizio Pellegrin Michael Ashkin Miki Garcia museum Museum of Contemporary Art San Diego new media Niki de Saint Phalle painting performance performance art Petah Coyne Rachel Teagle Raul Guerrero Rebecca Horn Rita McBride Robert Colescott Robert Gober Robert Irwin Robert Therrien Roger Ballen Roman De Salvo Ronald Jones Ross Rudel Rubén Ortiz-Torres Salomon Huerta Sandra Cinto Sarah Sze sculpture Sharon Lockhart Silvia Gruner Sol Lewitt Stepen Hannock Stephanie Hanor Tamara Bloomberg technology Thomas Allen Harris Toby Kamps Tomas Esson Tony Oursler USA Valeska Soares Vanessa Beecroft Vernon Fisher video Vik Muniz visual art Wendy Jacob William Kentridge Zhang Huan

Institution for the Future

Editor: Biljana Ciric and Sally Lai | Reference: P2408 | ISBN: 9780954544058 | Type: Publication

Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.

Not If But When: Culture Beyond Oil

Reference: P1793 | ISBN: 978-0-9567365-3-6 | Type: Publication

A publication that sets out to discuss oil sponsorship of the arts.  Part of the Platform Study Room Guide (P1820).

2nd Beyond Pressure: International Festival of Performance Art

Artist/Author: Various | Reference: P1766 | Type: Publication

Features photographic and textual documentation of artists’ contributions.

Performance

Artist/Author: Nigel Rolfe, Alistair MacLennon, David Brett | Reference: A0451 | Type: Article

CIRCA (Contemporary Visual Culture in Ireland), See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.

TimeFrame

Reference: P1666 | Type: Publication

Exhibition catalogue. Curated by MA Gallery Studies and Critical Curating students at the University of Essex. 30 April-11 June 2011.

Fornicating Swans

Artist/Author: Richard Dedomenici | Digital Reference: DB0060 | Type: Digital File

Artist documentation.

Hybrid Narratives

Editor: Levent Calikoglu | Reference: P1636 | Type: Publication

Hybrid Narratives curated by Levent Calikoglu at the Akbank Art Center, Istanbul, 5th September – 20th October 2007, artists included: Isil Egrikavuk, Harold Offeh, Irfan Onurmen, Denizhan Ozer.

Exchange: Artists, Young People

Editor: Karen Raney | Reference: P1620 | ISBN: ISSN 1365-9383 | Type: Publication

The articles in this issue ask questions such as; what do artists have to offer young people in projects brokered by galleries or other art organisations? Which artists choose this sort of work, and how does it relate to the rest of their practice? What kind of meditation is required in different contexts?

Performing Idea: Living Archives

Artist/Author: Heike Roms, Anne Bean, Rose English | Reference: D2104 | Type: DVD

Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever', contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art's multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist's experiences and body as a kind of living archive.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Performing Idea: Living Archives

Artist/Author: Hannah Hurtzig, Lois Keidan | Reference: D2104 | Type: DVD

Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever’, contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art’s multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist’s experiences and body as a kind of living archive.

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