An interview with women at the forefront of art and technology.
Liquid damage on publication.
| Artist / Author | Caroline Smith |
|---|---|
| Reference | A0871 |
| Date | 1995 |
| Journal | Women's Art |
| Journal date | March/April 1995 |
| Type | Article |
The Swiss art-rock band Les Reines Prochaines emerged from the youth and feminist movement of the 1980s. The movie traces the distinctive history of the Reines Prochaines and captures the artists in rehearsal and during their day to day life on tour.
Kindly donated for the Swiss live Art Study Room Guide.
Languages Swiss German, German.
77 minutes, HD
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
4 mins.
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Exhibition catalogue. Galerie Edition Z, Chur, 2016.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
Feminist science fiction that anticipates a post-patriarchal future.
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
A heady brew of feminist critique of the art world and extreme body horror.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.