Mostra OSSO Latino Americana de Performances festival programme, 2013. Includes an introduction by Dani Felix. In Spanish and Portuguese. 

In 1987, Paul Bright, a rebellious young Scottish director set out to stage James Hogg’s cult novel Confessions of a Justified Sinner in a series of radical productions across Scotland. In 2010, Untitled Projects began work with the actor George Anton to assemble an archive and exhibition of this almost-forgotten feat of theatre.

pani documents and contextualises activities of Bbeyond performance art organisation from 2001 to 2008, also covering two exchanges with Québec and Helsinki.

Active in Moscow since 1976, the Collective Actions group played a key role in the development of conceptual and performance art in the Soviet Union. Inspired by the work of John Cage, the organizers invited audiences to take part in minimal, outdoor actions in fields and forests on the edges of the city that explored the nature of the aesthetic event. The publication concentrates on the early period of field actions when the problems of documentation—how to capture and convey ephemeral action to non-participants—were just beginning to be considered.

This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.

Trascript of a presentation by Live Art DK on the state of performance in Denmark, in particular in relation to the issues of presentation, production and documentation. Artsadmin, 13th July 2015.

Catalogue of a series of performances investigating the time concepts of 6 famous Danish scientists from the renaissance to the present.

A performance document of a project that took place at West Everton Community Council in Liverpool, April 2011 (funded by Arts Council England). The piece was conceived as a ‘community exam’ where the audience members took the ‘Life in the UK’ test – an obligatory test for all immigrants applying for British citizenship and for Indefinite Leave to Remain.

A catalog of work from a 2014 exhibit by Jamie McMurry entitled “Above Snakes”

Copy of a manuscript taken from a 2010 PhD in the Department of Visual Culture at the National College of Art and Design in Dublin.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)