Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
A book of portraits, made as Frost wandered the streets of London in search of its most colourful inhabitants.
A collection of some of the essays and lectures that have made Cage's name synonymous with all that is unpredictable and exciting in contemporary music.
50th Anniversary Edition edition.
A disturbingly beautiful freak show, a queer menagerie of carnivalesque contortion and florid fantasy.
Directed by Sam Williams.
23'09''
On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
A five-minute performance piece mixing movement and lipsynching.
Directed by Sam Williams.
6'15''
The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.
Documentation from a full-length dance-theatre piece created in collaboration with Biño Sauitzvy.
Directed by Judy Jacobs.
10'25''
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk’s unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.