Catalogue of the eponymous programme of events; Barbican, 20-28 January 2017. Includes archival images from the Warburg Institute and other sources that have provided inspiration to the artists during the making process, an introduction to the work by Siobhan Davies, a conversation between the Warburg Institute and Siobhan Davies Dance, and texts by artists and curators involved.
Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud.
Directed by Elizabeth LeCompte. With Scott Shepherd, Ari Fliakos, Koosil-ja, Alessandro Magania, Greg Mehrten, Daniel Pettrow, Casey Spooner and Kate Valk. Songs by Fischerspooner. 2 hours, 30 minutes
This item can be found in the locked glass cabinet.
A publication detailing the projects delivered through Unlimited; includes a collection of 16 postcards.
The collection explores repetition in relation to intimacy, laughter, technology, familiarity, and fear proposing a new vocabulary for understanding what is at stake in works that repeat.
The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.
A limited edition publication exploring a series of innovative live performances and events.
Programme for the 2016 Unlimited festival, celebrating the artistic vision and originality of disabled artists.
Southbank Centre, 6-11 September.
A new anthology about the work of Jonathan Burrows & Matteo Fargion.
Produced in conjunction with FACING FRONT, a series of performances and workshops presented by Thirdbird in Philadelphia, in June 2015.
A duet collaboration between two choreographers (one disabled, one non-disabled) working together on dance performances that touch the borders of mainstream assumptions about implicit and explicit images of ‘the contemporary dancer’ and the different potentials for our bodies to be seen as knowing, skilful and passionate.
Contains extracts and a 37 minute edit.
2008.
One woman show narrating and constructing a self or a body.
2008