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Carolee’s
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
Dust
Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Transformance programme
Exhibition / project programme. Tempting Failure, 17-21 July 2018.
Abramović Method for Treasures programme
Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
City of Women – Immersive Reflection 2017/2018
A selection of texts on the festival, its topics and atmosphere.
To Become Two: Propositions for Feminist Collective Practice
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
Who Touched Me?
A compilation of research, tracing the development of the artists' sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print.
Learning in Public: Transeuropean Collaborations in Socially Engaged Art
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
(States of) Wake
(States of Wake) was a live critical writing project that took the form of dedications as moments of critical attention, unfolding as part of WAKE Festival in Folkestone. This book is a document of that process and an exploration of the gesture of dedicating performance.
Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
