A monograph produced and designed in close collaboration with the artist; forms a personal scrapbook of her life and influences, ranging from Buddhism, the aboriginals of Australia and religious iconography, to Western artists such as Joseph Beuys.

Exhibition catalogue; installation by Michael Gibbs and Claudia Koelgen. 31 May – 11 July 1992, AIR Amsterdam; 4 September – 11 October 1992, Fotografie Biennale, Rotterdam; 7 January – 13 February 1993, Zone, Newcastle.

In Dutch and English.

Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.

Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.

A cinematic interpretation of the performances of Anet van de Elzen.

65 mins.

Exhibition catalogue; 19-27 October 1991, le Fresnoy, France.

Published on the occasion of Touch Time, the festival which marked the closing of Mickery in 1991. Includes a publication and three programmes.

Looks at the Study Room as a case study of how libraries can perform in response to performance, and what their performance can do for performance.

Publication 'arrived' after participation in a six-day festival curated by  ]performance S p a c e[ in 2016.

Bios and images from 50 artists, case studies, essays and complete list of Residency artists to date.

Crisis of Representation and Destruction in the Arts from the 1950s to the End of the Century.

Catalogue of an exhibition held June 17 to August 20, 2000 at the Palazzo Bonaguro, Bassano del Grappa

 In English and Italian. 

Poetic responses to artworks in the eponymous exhibition at King's College London and Copeland Gallery.