Collection of writings documenting and responding to the “Chapter Japan Season 2008”. A4 unbound. English with some Japanese translations.
| Artist / Author | Aparna Sharma, Shimizu Shinjin, Shu Yang, Shirotama Hitsujiya |
|---|---|
| Publisher | Chapter Arts Centre |
| Reference | P1434 |
| Date | 2010 |
| Type | Publication |
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
Five year strategy by Create, Ireland for 2020-2025
A video essay reflecting on the work and process of Forced Entertainment combining interview fragments, performance excerpts, backstage and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance First Night.
Part of LADA Screens 15.
On Forced Entertainment, prediction, and the community of audience.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
Project publication: on festival collaboration and festival criticism.