Documents the unique & exhilarating performance art project Cardiff Art In Time, affectionately known as the CAT show.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
Videos by artists exploring Live Art and disability. Including videos commissioned for LADA’s “Access All Areas: Live Art and Disability” programme in New York, 2014.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).