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| Artist / Author | Nicholas Ridout |
|---|---|
| Publisher | Cambridge University Press |
| ISBN | 978-0-521-85208-1 |
| Reference | P1275 |
| Date | 1970 |
| Type | Publication |
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Excerpts from a zine. From the journal devoted to publishing the work of postgraduates, postdoctoral researchers, and entry-level academics in the fields of theatre and the performing arts.
On creating a short series of monologue pieces for the camera.
Interview with Laurie Anderson.
On Live Art landscape in 2005.
Public installations designed to construct interactions between humans and arthropods such as moths, beetles, caddisflies, ants and lacewings.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
Documentation of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
Second edition of the artwork exploring the potential of Live Art to bridge generations.
A revival of medieval animal trials featuring Snoopy the Jack Russell terrier in court for sheep worrying.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
The artist shares a living space with Deliah the pig for 72 hours. Film Credit: Rob La Frenais
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
A farmer calls his cattle by playing his trombone to them.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.