Public installations designed to construct interactions between humans and arthropods such as moths, beetles, caddisflies, ants and lacewings.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
| Artist / Author | Brandon_Ballengee |
|---|---|
| Digital Ref | EF5301 |
| Date | 2005 |
| Type | Digital File |
Documentation of the event marking the end of Restock, Reflect, Rethink Four, a project about Live Art and Cultural Privilege.
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
The second volume of the landmark trilogy consent not to be a single being.
Feminist science fiction that anticipates a post-patriarchal future.
Recounts Preciado’s transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.