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| Artist / Author | Michael Mangan |
|---|---|
| Publisher | Intellect Books |
| ISBN | 978-1-84150-149-9 |
| Reference | P1066 |
| Date | 2007 |
| Type | Publication |
Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
Draws strength from conversations with the performance artist Ron Athey and readings from Illness as Metaphor, by Susan Sontag.
Please note that Queen Mary University of London holds the entire archive of the late artist.
A romantic exploration performance about love and human relationships.
Please note that Queen Mary University of London holds the entire archive of the late artist.
Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories.
Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
Spells are poems; poetry is spelling. Spell-poems take us into a place where the right words can influence the universe.
Marks the finissage of Abboud’s solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
Performing Magic on the Western Stage examines magic as a performing art and as a meaningful social practice, linking magic to cultural arenas such as religion, finance, gender, and nationality and profiling magicians from Robert-Houdin to Pen & Teller.
The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art.
A nationally known sleight-of-hand expert, movie actor and magician extraor dinaire, presents a stylish parody of self-defense books that demonstrates how ordinary playing cards can be used as a means of protection.
From 2008 to 2010, AA Bronson and Peter Hobbs collaborated to convene small groups of men in various locations in a secret group ritual titled “Invocation of the Queer Spirits.” The publication explores all five performances.