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| Artist / Author | Susan Meiselas |
|---|---|
| Publisher | The University of Chicago Press |
| ISBN | 978-0-226-51928-9 |
| Reference | P1036 |
| Date | 1997 |
| Type | Publication |
Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.
We need to talk about racial injustice in a different way: one that builds on the revolutionary ideas of the past and forges new connections.
In this incisive, radical and practical essay, Emma Dabiri – acclaimed author of Don’t Touch My Hair – draws on years of research and personal experience to challenge us to create meaningful, lasting change.
Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
From a god-fearing Muslim boy enraptured with their mother, to a vocal, queer drag queen estranged from their family, this is a heart-breaking and hilarious memoir about the author’s fight to be true to themself.
Part of the Library of Performing Rights (P3041).
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
Includes:
1 A Medea: Requiem for a Boy, 1986 (2 files)
2 Rusty Sat on a Hill One Dawn …,1987 (2 files)
3 Eva Peron, 1987
4 King Oedipus, 1987
5 Peep Show (videos used in performances), 1988 (2 files)
6 Minamata,1989 (2 files)
7 Pasos en la Obscuridad, 1990
8 The Hip-Hop Waltz of Eurydice, 1990
9 Bogeyman, 1991
10 Train Project (un-edited video project @ L.A.T.C.), 1991
11 The Blind Owl and Making of…, 1991
12 The Law of Remains, 1992
13 Simon Boccanegra, 1992 (2 files)
14 Tight Right White, 1993
15 Quotations from a Ruined City, 1994 (2 files)
16 Memorial Service, LA and NY, 1995 (2 files)
17 Mixed Images and Projects
18 Reza Abdoh, Short Video Works
19 Interview Tapes
20 Show Tapes (videos used in performances)
21 Cast Reference Video
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
An intimate portrait of the world and work of Abdoh and his company.
Documentation of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).