Explores the phenomenon of artists making work to show in their own homes.
| Artist / Author | David Harradine |
|---|---|
| Reference | A0397 |
| Date | 1999 |
| Journal | Total Theatre |
| Journal date | Winter 1999/2000 |
| Journal page | 16-18 |
| Type | Article |
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
The culmination of a year-long project at BalinHouseProjects (BHP), an artist-run, not-for-profit space by Eduardo Padilha at his flat in Tabard Gardens North Estate.
Part of Library of Performing Rights (P3041).
Pulls together rich elements of music, physical space, visual arts, text and movement; contemplates violence, without relying on sensational anecdote.
Sheds light on a range of practices in the area of contemporary performance in Australia.
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
A collection of writings which describe in words the mercurial and ephemeral light as it changes across a day, across seasons, and across a year.
A publication on the performance for adults which explored, through image, sound, light, text and the choreography of hundreds of objects, what it is to change, to grow, and to age.
Original production: Young Vic – London: 27th September – 9th October 2010
Dissects the network of household, kinship and sexual relations that constitute the family form in advanced capitalist societies to show how they reinforce conditions of inequality.
Exhibition / project programme. Tempting Failure, 17-21 July 2018.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Takes the road less travelled to discover Britain's most astonishing and unexpected theatres.