Festival Panorama 2011

Documentation from a deep dive into La Pocha Nostra’s archive held at LADA’s Study Room on 5th July 2024, led by artist Ansuman Biswas who has been collaborating with La Pocha Nostra and its founder Guillermo Gómez-Peña since 2002.

This is a video file. For a version with closed captions please visit our vimeo channel. 

Video documentation of an online conversation with artist Keith Khan, in June 2020. This conversation followed an online screening of Khan’s film ‘Z’ as part of our LADA Screens programme. Joseph Morgan Schofield (LADA) caught up with Keith remotely for a discussion considering ideas of faith, devotion, eroticism and ecstasy in relation to Z.

Audio documentation of a participatory conversation in response to La Pocha Nostra’s commitment to use performativity as a methodology of resistance and to erase the borders between art and politics, art practice and theory, and artist and spectator, on 2nd August 2024  at The Garrett Centre.

performingborders has been exploring performance and Live Art practices across notions and lived experiences of intersectional borders since 2016, inspired by La Pocha Nostra’s work. Drawing from Guillermo Gómez-Peña’s publication Dangerous Border Crossers: The Artist Talks Back (2000), they explored LADA Study Room’s resources around borders and performances, including the Performing Borders Study Room Guide. They also drew from their own archive to highlight artists whose practices challenge the diversity of experiences at the intersections of cultural, juridical, racial, gendered, class, physical, economic, and everyday borders.

This is an audio file. For a version with closed captions, please visit out vimeo channel. 

Audio documentation of a lecture given by Malik Nashad Sharpe, on the subject ‘Horror for the Live Context’ on 8th March 2025 at The Garrett Centre.

Culminating his Study Room residency, this talk highlighted some of the utility of making horror as a performance practice, and explored the genre’s potential as a framework for seeing, reading and working with contemporary live performance. During his residency he approached horror as a research tool to tease out an alternative tradition of choreographic practice that contains social resonance and fantastical outcomes, and constitutes a suggestive and speculative lens through which performance can be contextualised.

Artworks referenced and shared in this talk:

‘Shoot’, Chris Burden, 1971, ‘Carcasse’, Piotr Pavlensky, 2013, ‘Rhythm 0’, Marina Abramovic, 1974, ‘American Psycho’, directed by Mary Harron, 2000, ‘Nope’, Directed by Jordan Peele, 2022, ’10 Cloverfield Lane’, directed by Dan Trachtenberg, 2016,  ‘Saw’, directed by James Wan, 2004, ‘Le Manoir de Diable’, directed by George Meillies, 1890, ‘All of us are Dead’, directed by Lee Jae-kyoo; Kim Nam-su, 2022, ‘Untitled Nostalgia 3’, Tiraan Willemse, 2025, ‘Presage’, Elie Autins, 2022, ‘Goner’, Malik Nashad Sharpe, 2024

This is an audio file. For a version with closed captions, please visit our vimeo channel

Performance making is a mode of enquiring about culture and a strategy to respond to societal emergencies. Collective acts of thought and expression are an existential urgency as they broaden our understanding of who we are. As the world grappled with lockdowns, fear has permeated our very beings. Notes from Isolation embodies an investigative journey wherein Andrea Pagnes —who, with Verena Stenke, forms the artist duo VestAndPage— explores the essence of existence during the COVID-19 pandemic. He then shares his notes in distant encounters with artists, poets and philosophers friends who navigate the non-linear realms: Marilyn Arsem, Lois Keidan, Joseph Morgan Schofield, Franko B, Guillermo Gómez-Peña, Stelarc, Timothy Morton, Anguezomo Mba Bikoro, and eventually Ron Athey revisiting a conversation they had a while ago. At last, performance matters: politics and science to dissect, recurring patterns of suffering and pain to surpass, religion, colonialism, and gender fluidity found a voice within the societal crises that COVID-19 accentuated. Multiple remote visions and divergent creative thinking are pooled to inspect reality while caring for humanity, as to perhaps find a way out.

‘They close the glass door behind me and say I cannot leave this area. They gave me a blue protective mask and said I must wear it whenever I exit the room or someone enters it. The mask I have to wear closes my mouth but not my eyes. The border is a transparent glass door. We can look to the other side but not cross over. I let go a quiet steeping in being. Time makes me the process.’ — Verena Stenke.

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

From the special edition of Maska on the occasion of the 25th anniversary of the Contemporary Dance Association Slovenia. In Slovenian and English.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Reviews : All Over the Map

A Review of ‘A Woman Who…Essays, Interviews, Scripts’ Yvonne Rainer

by Claire MacDonald

pp. 121 – 123

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10