This catalogue item has no notes associated with it.
| Artist / Author | Various |
|---|---|
| Reference | D0635 |
| Date | 2006 |
| Type | DVD |
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
A book on the photography of Bob Raymond, who documented performance art for thirty years.
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
On the Future of Imagination (FOI) Festival 9, Singapore, September 4–7, 2014.
A portable archive that features Montano’s journal writings during 1984-1998, 18 of her ecstatic tantric tales, 52 of her drawings, 119 photo documents related to her performances, 13 essays and interviews by art historians, curators and writers.
Part of the Library of Performing Rights (P3041).
A Troubles Archive Essay. Includes the programme for Performance Art + Northern Ireland, exhibition at the Golden Thread Gallery (13/8/2015 – 30/9/2015)
Part of the Library of Performing Rights (P3041).
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
Review of Vason's book, published by the Live Art Development Agency and Intellect Books.