a festival of contemporary art opened recently in an unusual venue – a formerly-secret nuclear bunker, built for President Tito, at Konjic, Bosnia. Audio
Artist / Author | Bob Dickinson |
---|---|
Reference | D2085 |
Date | 2011 |
Type | DVD |
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
Report about the Arts and Humanities Resarch Council funded prject.
A publication exploring how the arts sector can better support artists at key stages in their practice.
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
This comprehensive manual outlines copyright law in the UK with special reference to materials relevant to archive and records collections such as maps, legal records, records of local authorities, records of churches and faiths, most notably unpublished works. It also offers advice on rights in the electronic environment and the problems associated with rights clearance; and covers related areas such as moral rights and rights in databases.
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
NODM Forum article – on New Year’s resolutions.
Catalogue to accompany a film series held at the Art Gallery of Ontario (1989).
Khan describes her unusual mixed family background and the pioneering role she played from the sixties onwards in the recognition of ethnic and minority arts.
Captures a series of remarkable collaborative art works instigated by visual artist Janine Antoni, in alliance with preeminent dance-maker and community activist Anna Halprin and pioneer choreographer Stephen Petronio.