Document also available at www.artinslackspaces.ie
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
7 mins
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
Explores fat activist language.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Documents a series of site-specific performances which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.