Includes footage on Human Rights Abuse documentaries. Given by Adrien Sina
Artist / Author | Witness |
---|---|
Reference | D0335 |
Date | 2004 |
Type | DVD |
Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.
We need to talk about racial injustice in a different way: one that builds on the revolutionary ideas of the past and forges new connections.
In this incisive, radical and practical essay, Emma Dabiri – acclaimed author of Don’t Touch My Hair – draws on years of research and personal experience to challenge us to create meaningful, lasting change.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
A rough cut of the first ever documentary about the life and work of Franko B. Part of LADA Screens 16.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
Documentation of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
Documentation of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
Interview with theauthor of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).