Discusses interrelations between painting and video art. Argues that once the surface of the painting is thought of in relation to the membrane of the eye as if the painting’s surface were part of the eye itself, the painting’s surface would have to be thought of as a membrane of visible excitation that is hard to separate from vision.
Reference | A0775 |
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Date | 1995 |
Journal | Visible Language |
Journal date | 1995 |
Journal page | 238-254 |
Type | Article |