Publication accompanying the eponymous film.
Editor | A K Dolven |
---|---|
Publisher | Film and Video Umbrella |
ISBN | 095386345x |
Reference | P3574 |
Date | 2002 |
Type | Publication |
Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
This story is a product of lockdown, of not being able to create gatherings and experiences with, and for, other people. It is an account of intensely personal histories and experiences, that usually stay behind the screens. It is also a document of the Heteraclub project and the safe space created there, in which hundreds of women shared their stories of love and pleasure.
A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.
A gathering of international transgender performers and their audiences in Liverpool in November 2011. Part of LADA screens.
Part of the Library of Performing Rights (P3041).
An idyllic location, a perfect spot, but something just isn’t quite right, something doesn’t fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
Charts the choppy waters of gut feelings, capturing the flotsam and jetsam of impulse, desire and fights to the death.
Part of LADA Screens 14.
Documentation from the public screening of Adrian Howells’ works featuring presentations from Adrian’s collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online 18 July – 1 August 2016 on the LADA Screens Channel.
On creating a short series of monologue pieces for the camera.
A consideration of ‘new dance’ in response to writings of Luce Irigaray.
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).