Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
A collection of critical essays and artist reflections considering some of the richest and most important developments to take place in contemporary Irish theatre and performance.
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
'Performing Site-Specific Theatre turns a critical eye to the form of site-specific theatre, investigating the nature of the relationship between 'site' and 'performance'. Contributors: Joanne Thompkins, Anna Birch, Michael McKinnie, Susan Bennett, Julie Sanders, Jane Collins, John Webster, Mike Pearson, Kathleen Irwin, Susan Haedicke, Lesley Ferris, Louise Owen, Keren Zaiontz, Bruce Barton, Richard Windeyer, Helen Iball, Sophie Nield
Publication on Joan Jonas’ experimental projects in the late sixties and early seventies
Publication and 2 DVDs, one multimedia, one audio/video.
‘Topos’ is a psychographic landscape manifested in singular hermetic worlds, portraits, rituals narratives, thought problems. Topos is a collaborative undertaking of artists as both non-experts and professional pragmatists.
This booklet tells the story of just one building in the vast metropolis of London – 60 Farringdon Road. Neither particularly distinguished nor particularly old, the building’s past – and that of the immediate neighbourhood of Clerkenwell – illustrates the ebb and flow of city life and commerce, the arriving technologies, fortunes and fashions.
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
Artist portfolio including artist statement, selected projects, catalogues, images and DVD preview video sample copy.
Journal Article reflecting on a site-specific collaborative performance work at the Chisenhale Dance Space, London, UK. In Miscellaneous Article 4 folder.
Video document of a journey of recollection through embdied and spoken narratives drawn from a number of reference works by the artist.
Video document of performance. With movements both hers and of other choreographers, Denise Stutz guides the audience through a personal and emotional history of Brazilian contemporary dance. The memory of the body and its relationship to identity – as well as how this is inscribed in space and relates to the public – motivate and shape this solo.
A study on the urban phenomenon of skateboarding as a resource to explore space together with issues of class, gender, race and sexuality.
A collection of newly commissioned texts that explore the moving image in relation to performance.
From 31st March-28th April 2007 the top floor of Clarke Tower opened its doors to the public in the form of a unique short stay hotel.
Anne Bean, Hydar Dewachi, Rachel Withers, in WAKE six artists worked sequentially in a series of week-long mini-residences. Each artist chose their successor and each left behind their materials and structures for the following artist to inherit and build upon. This publication records this process in photographs and text. Artists: Anne Bean, William Cobbing, David Cotterrell, Carl Von Weiler, Rachel Lowe, Bronwen Buckeridge. Collaboration, cooperation, space, artistic development. WAKE took place at Dilston Grove, London 11 June-17 July 2011.
In separate folder. In Performance Research – On Philosophy & Participation.
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Platforma, Live Art Development Agency, festival of arts by and about refugees
Interviews, maps, drawings, plans, archives, photos, histories from Hackney Wick
Examines the way theatre buildings function to frame the performance event, the organisation of audience and practitioner spaces within the building, the nature of the stage and the modes of representation it facilitates, and the relationship between the real space of the theatre and the fictional places that are evoked.
Hidden histories revealed through the performer doubling live and on video.
Artist documentation. Much of the publication is written in French, but images documenting the artists works are captioned in English and an interview is also translated into English. See D1663 for documentation.
From Fresh Air Platform 2010
Explores the legacy of the godfather of scenography.
This is a textbook for exploring the peripheral, acknowledging marginal acts as well as marginal places. There is no definitive way of defining what is marginal. This item is part of the Study Room Guide to Remoteness (P2600).
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
A series of events held at East Street Arts.
Examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.
Part of the Library of Performing Rights (LPR) (P3041).
Documents and links for the company’s work released in occasion of “Polska! Year”
Six video screens with see six streams of consciousness, placed in an idealized paradise landscape.
For 30 hours, a young man and an older woman will live in this specially designed terrarium for humans
A combination of a punk-rock concert and a catwalk event with the audience seated on both sides of the stage.
2009. 7-channel projection (4:03 min.) SD digital-video mixed with super 8.
On public art in the YSP.
Amsterdam readings on the Arts and Arts Education. Drawing on contemporary practice and scholarship in the fields of dance, performance and installation art, theatre/archaeology, ethnography, holistic bodywork and the history of medicine, the collection provides insights into the body as a problematic site of performance and suggests a ‘new authenticity’ which equates both its phenomenological and representational aspects. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).
Two exhibition catalogues. In English and Spanish. For video documentation see REF. D1128
Associates the object with the body in space to create installations and performances. Uses the artist’s body in response to the danger and poetry of fire given off from an explosion. Exhibition catalogue