Two Live Artists in the Theatre

Regret
A 28 day durational performance
6 hours per day, June 2-29, 2021
Performed at Floating Goose Studios, Adelaide, Australia

(dis)closure (2025) is a performance by kane stonestreet at CEREMONY, a festival from Future Ritual. The documentation was screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

Video documentation of an interactive talk from artists Danielle Brathwaite-Shirley and Symoné. It explored agency and spectatorship in the intersections between live art and gaming.

Writer and academic Dominic Johnson hosts a rare UK appearance by the US (French based) artist Skip Arnold. They screened a selection of Skip’s videos and other documents, and discussed the body, duration, intervention, commitment, and documentation.

This book traces the early history of performance art in the former Czechoslovakia, which developed in the 1960s and 1970s amid the Prague Spring and the subsequent Normalization period marked by censorship, prosecution, and state pressure on artists.

This collection brings together six seminal works of British alternative feminist and women’s theatre from the archive, with a contextual introductory text by Dr. Susan Croft, co-founder of Unfinished Histories.

A live art work and archive book exploring fetish, female eroticism, and symbolic violence through a spatial intervention at a KTV in Chinatown.

From the artist: This is a neurodivergently true story about neurotransgressive performance (which I call proper performance). It contains some magic green liquid and a bit of an accidental erection.

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Article and performance photos from artist Eirini Kartsaki.

Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comcial failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life.