Leading scholars, artists, and activists examine the role of the arts in articulating the social agendas of urban mega-events like Olympic Games and World Expos.
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
A publication where the work Fabião has been developing in the streets since 2008 acquires a new dimension. Containts extensive photographic material and writings by the artist and original essays.
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
Published on the fifth anniversary of the BP Deepwater Horizon disaster, Artwash is an intervention into the unsavoury role of the Big Oil company’s sponsorship of the arts in Britain.
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
Short film of the performance. Filmed at Duh? Art & Stupidity show at Focal Point Gallery, Southend on Sea, November 2015.
3:11
This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.
The book assembles the work of 136 different collectives and artists, both Mexican and foreign, who created some 200 works in Mexico City over the period of a decade. Texts: Cuauhtémoc Medina, Edgar Hernández, Inbal Miller, Patricia Sloane, Guillermo Santamarina. Bilingual edition.
This article observes the historical examples of student struggle in former Yugoslavia by looking at the role of art in articulating that political firld and by applying artistic strategis to historical reconstruction.