An exerpt from an integrated dance/film work, written, costumed, performed by and directed by Professor Aggiss, which fuses the screen mediated body and fictional and factual archive film as textually embedded into an original 60-minute live solo performance. This work continues to investigate the shifting nature of public presentation, structure and delivery systems within contemporary dance.

Video documentation of a performace work exploring gender as a series of social investments manifest through intersubjective symbolic exchange.

Performance leaflet with images.

Program of the 2008 edition of the touring Contemporary Art Festival that took place in eleven cities in the Arab World and in Europe – Minya, Cairo and Rabat, Amman, Beirut, Damascus, Ramallah, Berlin and Brussels. (MP5) presented nearly 200 performances, exhibitions and film screenings during week-long programs hosted by galleries, non-profits and theaters in each city. Bilingual edition in English and Arabic.

Includes biographical sketches of participating dancers, musicians, and visual artists.

La Ribot in conversation with Franko B.

Four parts documentation of a piece exploring repetitive ritual, within a framework of noise and projected through a semi constructed physical structure. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Two parts documentation of performance offering varied interpretations on the aging female solo performing body. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Three parts documentation of performance questioning some of the tropes associated with contemporary women and the internet. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.

Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman. 

Documentation of a performance-installation inspired by the artist’s experience of being attacked in East London.

A two DVD set exploring both Fabre’s stage and visual art output. This item can be found in the locked glass cabinet.